Gorillaz: Cracker Island review – smaller, subtler, and better for it

(Parlophone)
Damon Albarn has reined within the excess – although there are nonetheless cameos from the likes of Dangerous Bunny and Stevie Nicks – for a trim album that is likely one of the band’s greatest

Here’s a sobering thought for anyone sufficiently old to recall the early 00s first-hand: Cracker Island arrives 22 years on from Gorillaz’s debut single, Clint Eastwood. Founded by Damon Albarn, an alt-rock star apparently dabbling in pop, and his former flatmate Jamie Hewlett, who provided the cartoons, it was a venture you may need assumed can be a short-lived joke. However almost a quarter of a century on, Gorillaz have made as many studio albums as Albarn’s main band and, in the process, have achieved issues Blur haven’t: a string of US Prime 10 albums, certainly one of them double-platinum; a Grammy; and entente cordiale with Oasis – or at the very least Noel Gallagher, who appeared on 2017’s We Received the Power.

They’ve additionally proved oddly prescient. You don’t hear many bands who sound like Blur nowadays, but we stay in an period when pop is fuelled by the sort of cross-genre collaborations that started popping up on Gorillaz’s eponymous debut album and had kind of consumed their output completely by the discharge of 2010’s Plastic Beach. In fact, their present prevalence in all probability has more to do with making an attempt to recreation the streaming providers’ genre-specific playlists than Gorillaz’s influence, but nonetheless. You'll be able to see the mark their tracks Really feel Good Inc and Dirty Harry left on Gen Z’s nascent musical taste by the truth that Gorillaz are still enjoying arenas and headlining festivals years after their albums stopped shifting within the sort of portions they as soon as bought; last yr, Billie Eilish stated Albarn “modified my life” when she invited him to sing Feel Good Inc together with her at Coachella.